Short-form and vertical, YouTube and podcast, motion graphics and AI. I work per project, on a fixed monthly volume of pieces, or as part of an in-house team.
Horizontal and vertical. Swipe to see more.
The second piece was built by me from scratch in After Effects. The images and the voice-over are AI-generated; the design, animation, edit and sound are mine.
DRAG OR USE THE ARROWS
Live entertainment, brands and creators with audiences in the millions.
Clips and vertical content for Spanish-speaking creators with large audiences, delivered on a fixed weekly schedule and a consistent format.
RIOBOO
CAPITÁN POKÉMON
LA ÚLTIMA
JAPANJORDIBrand projects and event production, from the shoot to the finished piece. Camera work for Repsol, one of Spain's largest energy companies; content for Kings League, the seven-a-side football league founded by Gerard Piqué, on its Japan edition and for La Capital CF, the team owned by FC Barcelona's Lamine Yamal; and institutional work for the Cartagena City Council.
REPSOL
KINGS LEAGUE
LA CAPITAL CF
CARTAGENATwo years in the video department of El Mago Pop, one of the largest live illusion shows in Europe: running every screen in the show and operating camera live during the performance, inside the technical crew of a touring theatre production. Also live video operation on the 2025 arena tour of Operación Triunfo, Spain's biggest music talent show. Also ran the venue's screens for one-off events outside the show.
EL MAGO POP
OPERACIÓN TRIUNFO
LA VELADA
SPICY4TUNA
PHOTOI am Jose Carlos Espi, a video editor and content creator based in Spain.
Eight years in audiovisual production: weekly content for creators with large audiences, pieces for brands, and production and materials department on the Netflix series Élite. What I do every week is take raw footage and hand back something people watch to the end.
I also spent two years in the video department of El Mago Pop, one of the largest live illusion shows in Europe, running the show's screens and operating camera live during the performance. That left me with the two things you notice in an edit: a finish that holds up, and deadlines that get met. Most editors have one of the two.
On top of that I add motion graphics, 3D in Blender and AI-generated imagery, so the content goes further than a clean cut.
Tools
Premiere Pro · After Effects · DaVinci Resolve · Blender · Photoshop · Pixera · Generative AI
I mostly work on recurring retainers: a fixed number of pieces per month. Every project is quoted on content type, volume and finish, and you get a price the same day.
I take your stream, podcast or raw footage and hand back vertical pieces ready to publish. Hook in the first second, captions and pacing for TikTok, Reels and Shorts, on a fixed weekly schedule.
GET A QUOTE →Full episode edits with their own pacing, b-roll and finish, plus the clips that come out of them. One brief covers your long-form video and your week of social content.
GET A QUOTE →Animated graphics, titles and effects so your pieces don't look like just another cut. Modelling and animation in Blender and AI-generated imagery, applied to advertising and brand content.
GET A QUOTE →Live camera and stage screen content with Pixera, plus the piece afterwards. Two years in the video department of El Mago Pop, one of Europe's largest live shows.
GET A QUOTE →Write to me and you get an answer the same day on whether I can take it and what it costs. No hour-long calls just to find out a price.
Where I work
Spain · Remote worldwide